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Yanagiwara Naruko was born in 1855 in Kyoto to a noble family with a long history of service as chamberlains to the Emperor; when her family moved to the newly renamed Tokyo to attend upon the Meiji Emperor, so did she. In 1870 she became a lady-in-waiting to the Emperor’s (official) mother, the Dowager Empress Eisho (Asako). In 1873, the Imperial Palace of the time burned and the Meiji Emperor and Empress (Mutsuhito and Haruko) moved in with the Dowager Empress for the time being, at which point the Emperor is said to have noticed Naruko and liked what he saw, appointing her one of several imperial concubines.

Of the Emperor’s one wife and at least five concubines, Naruko was the first to give birth to a child who survived babyhood; two of her predecessors, although attended by the doctor Kusumoto Ine, had died in childbirth. After losing her first two children young, Naruko gave birth in 1879 to Prince Yoshihito, who survived early childhood by the skin of his teeth to succeed his father as the Taisho Emperor. (Although given a string of younger half-siblings by the fecund Sono Sachiko, he apparently did not learn until his teens that the childless Empress Haruko was not his biological mother.)

For all she had succeeded in giving the Emperor an heir, Naruko’s position in the Imperial Household may have been affected by the string of scandals her birth family specialized in. Her brother Sakimitsu, a general and Foreign Minister when he was barely twenty, buckled under the strain of his position and consoled himself with women. He was the father of the poet Yanagiwara Byakuren (Akiko), famous for eloping with a penniless socialist; her mother in turn was the geisha O-Ryo (a daughter of the disgraced diplomat Shinmi Masaoki), for whose favor Sakimitsu competed with Ito Hirobumi, who certainly got around. Sakimitsu’s son, Akiko’s half-brother Yoshimitsu, was also notoriously involved with a male actor, while his daughter Tokuko was one of the main players in the Affair of the Delinquent Nobility [in which Kojima Kokichi, a dancehall instructor and self-proclaimed “sexiest man in Japan,” was arrested for numerous adulterous relationships, some arranged by his lover Tokuko] of 1933.

When the Taisho Emperor proved to suffer from a number of physical and mental illnesses (now thought to be the result of chronic meningitis, the cause of death of almost all his siblings who died young), there were some voices ascribing this to Naruko’s “tainted” family background. Still, she spent her life in the Imperial Household as a lady-in-waiting, surviving her sickly son by almost twenty years. She was noted for her poetry and calligraphy, and served as one of the ladies-in-waiting assigned to educate Crown Princess Sadako, her daughter-in-law, in the ways of the Imperial Household. Sadako, not generally known for warmth and approachability, adored her and thought of her as a second mother. Naruko died in 1943 at the age of 88.

Sources
Ishii
https://ukiyo-e.org/image/jaodb/Yoshitoshi_Tsukioka-Bijin_7_Shining_Flowers-Yanagiwara_Naruko-00038525-051027-F06 (painting of Naruko by Tsukioka Yoshitoshi)
https://ja.wikipedia.org/wiki/%E6%9F%B3%E5%8E%9F%E6%84%9B%E5%AD%90#/media/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:Naruko_Yanagiwara.png (photo of the young Naruko)
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Shimoda Utako was born in 1854 in Mino (present-day Gifu Prefecture), the oldest daughter of the local samurai Hirao Juzo and his wife Fusako. Her birth name was Seki. Because her father was an Imperialist in a domain that favored the bakufu regime, he was out of favor during her childhood, and she grew up genteel but poor. Her time was spent reading everything she could lay her hands on and, as a samurai’s child, learning judo and other physical self-defense as well. She was writing waka poetry from the age of four, entertaining the adults around her.

Her family’s star rose again after the Restoration; in 1870 the family moved to Tokyo when her father received a post in the new government. His poetry teacher, the poet Hatta Tomonori, took an interest in Seki’s future and supported her work. In 1872 he arranged for her to become a lady-in-waiting at the Imperial Palace, where she remained for eight years, becoming close to the Imperial concubine Yanagihara Naruko among others. The name “Utako” (poem) was given to her there by the Meiji Empress because of her poetic skills.

In 1879, at 26, she left the Palace to marry the kendo instructor Shimoda Takeo; unfortunately, he was already becoming an alcoholic invalid, and he died of stomach cancer five years later. The widowed Utako reinvented herself as the principal of a private school for young ladies, the Toyo School, where she lectured on the Tale of Genji and Tsuda Umeko, newly returned from America, taught English. Her private students included the wives of high officials, many of whom, such as Ito Umeko, had begun as geisha or similar and wanted to improve their educations. In 1885 the Toyo School became a part of the School for Noble Girls, newly established by the Empress with Utako as a senior instructor. She was to leave this position later after butting heads with Nogi Maresuke, the military hero in charge of the corresponding boys’ institution and the school as a whole.

She visited the United Kingdom, Europe, and the US in 1893, tasked with observing its educational practices and thus bettering the education of the Princesses Masako and Fusako, meeting Queen Victoria in the process; in 1899, she founded the Jissen Girls’ School and the Girls’ Polytechnic, for middle-class and lower-class students respectively, with herself as principal; these schools were notable in their early days for accepting Chinese students (and requiring them to unbind their feet), among whom was the future revolutionary Qiu Jin. The schools survive today as the Jissen Women’s Educational Institute.

In 1907, the left-wing Heimin Shimbun newspaper published an extended attack on her, accusing her of sexual relations with a wide range of men, mostly right-wing politicians such as Ito Hirobumi. The government banned sales of the relevant issue, which identified the upright and imperialist lady educationalist with the dokufu, women painted as lecherous and potentially murderous like Takahashi O-Den and Harada Kinu.

Utako was also the author of numerous textbooks and biographies of Japanese and Western women, as well as founding patriotic associations and helping to establish two fundamental Japanese schoolgirl uniforms, the prewar hakama and the ongoing sailor-suit style. (Her English Wikipedia page goes into detail about her attitudes and philosophies, which I will not reproduce here; notably, she wrote and educated toward the “good wife, wise mother” ideal, but also believed that her students needed to be capable of independent work.) She died in 1936.

Sources
Nakae
https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2212&context=clcweb (English; paper about Utako’s background and in particular her work with Chinese students)
https://www.jissen.ac.jp/school/shimoda_utako/biography/index.html (Japanese; detailed biographical account on the Jissen University site, with photographs)
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Ichijo Haruko was born in 1849 among the high nobility, on the avenue of Kyoto that her family took its name from. Her birth name was Masako. Well educated according to her father’s precepts (taught in part by the scholar Wakae Nioko), as a child she enjoyed climbing up to the firewatch tower and observing the city below her. Naturally she also studied the traditional arts of her class, including calligraphy, waka poetry, the koto , ikebana, tea, and so on, excelling in all her pursuits.

The disorder of the Meiji Restoration reduced the Ichijo family to splinters; orphaned by the time she was fourteen, Haruko had to flee her family’s home in haste, trailed by serving maids. Her fortunes made another quick change as the peace of the new era settled in, when she was chosen to marry Mutsuhito, the newly acceded Meiji Emperor. She became empress in 1868 at age twenty; her husband was three years younger than she. (The gap was reduced by announcing that her official birth year was actually 1850.)

As they settled into their life in the newly rechristened Tokyo, the Imperial Family adopted Western styles of dress and coiffure, posed for photographs, and visited their subjects as part of the visibility of the modern age. Haruko was particularly interested in silkworm cultivation, which she understood had once been practiced by the ancient empresses. She adopted the practice herself, as a nod both to the habits of antiquity and to the vital importance of silk as an export of modern Japan.

Physically she was very pretty and very tiny even for her time, standing only 140 centimeters (about four foot seven). As the “mother of the country,” she took up the required patriotic stances during the Russo-Japanese and First Sino-Japanese Wars. She also took up the slack in terms of politics, international relations, and military support for her laggard and retiring husband.

When the Meiji Emperor died in 1912, Haruko became the Empress Dowager Shoken, the name generally used for her in Japanese parlance. She died two years later at the Imperial Villa in Shizuoka. The Meiji Shrine in Tokyo is dedicated to Haruko and Mutsuhito.

As empress she had only two so-called flaws, one minor and one major: she was given to pipe-smoking, and she was unable to bear children. All five of the Meiji Emperor’s surviving children are thought to have been born to concubines. One of Haruko’s ladies-in-waiting wrote that if Haruko herself, with all her talents, had been able to bear a Crown Prince, the history of Japan might have been different thereafter.

Sources
Ishii
https://www.asahi.com/ajw/articles/13843528 (English) Interesting article about a gown designed for the Empress
https://www.museum.or.jp/report/448 (Japanese) Pictures and videos

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Histories of women in and around Japan, 1868-1945

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Icon is Uemura Shoen's "Self-Portrait at Age 16," 1891

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