Histories of women in and around Japan, 1868-1945

Ikuta Hanayo (1888-1970)

Fri, 24 Apr 2026 11:03:45 GMT

Posted by: nnozomi

Ikuta Hanayo was born in 1888 in Tokushima, where her father was the village mayor and eked out a living from growing tangerines; her maiden name was Nishizaki. She was one of the first to attend the Tokushima Girls’ School, where she read her way through the library. After graduation she worked as an elementary school teacher’s aide and published poems and short stories in the Women’s Literary Magazine; in 1910, after her father’s death, the magazine’s editor helped find her a place in Tokyo, where she worked odd jobs of all kinds and joined the staff of Hiratsuka Raicho’s Bluestocking magazine in 1913.

The following year, a young writer called Ikuta Shungetsu was inspired by Hanayo’s article on love and struggle to get in touch and propose to her. Hanayo was both attracted and concerned by his youth and good looks: she was four years older, and considered herself unattractive and three inches too short (she was 145 cm as an adult). He talked her into it, however, and two weeks after their first meeting they moved into a tenement apartment together and set up two desks in separate rooms. Shungetsu became a published poet and translator; Hanayo looked after him while earning their living as a journalist and continuing to write essays on women’s rights. Based on her own experiences, she wrote that as long as women were denied financial assets and career opportunities, they would have no option but to sell their chastity to eat; this kicked off the “chastity debates” with the writer Yasuda Satsuki, also a Bluestockinger, who argued that a woman would be better off dead than unchaste. Meanwhile Hanayo served as Bluestocking’s editor for some time and also worked with Hasegawa Shigure on the founding of Nyonin Geijutsu {Women’s Arts}.

In 1921 Shungetsu thanked his wife in a published essay: “We are such opposites that I sometimes wonder how we can manage to live together. You are much simpler and more straightforward than I am, free of contradictions, and above all thoroughly good.” However, he went on to have an affair with the poet Eguchi Ayako, a long-time friend of Hanayo’s; she did not hesitate to describe her feelings of betrayal in print. In 1930, Shungetsu killed himself by jumping into the sea. After his death, Hanayo—who had been his amanuensis and his support for sixteen years—became embroiled in a prolonged legal battle with his family for his copyrights, because they had never been legally married; eventually she and his youngest brother produced a jointly edited edition of Shungetsu’s complete works.

During the war, Hanayo continued to work on Nyonin Geijutsu’s successor, Kagayaku, for which she visited Japanese soldiers in wartime China; she contributed to various literary magazines and associations aimed at supporting the national polity. She was injured in 1945 during the firebombing of Tokyo.

In 1946, upon the first postwar General Election, posters used a text written by Hanayo to urge women to vote (“We build the new Japan with the life force of the Japanese people, not just men’s life force, women’s too”). She spent her later years giving well-attended lectures on the Tale of Genji, aimed at women and later published in book form, before her death in 1970 at the age of eighty-two.

Sources
Mori 2008
https://en.wikipedia.org/wiki/Hanayo_Ikuta#/media/File:1946posterJapan.jpg (Japanese) Election poster with Hanayo’s text
https://www.econ.shiga-u.ac.jp/ebr/Ronso-422kikuchi.pdf (English) Interesting article which touches on Hanayo’s work as a wartime poet in China

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Hara Asao (1888-1969)

Fri, 17 Apr 2026 11:11:07 GMT

Posted by: nnozomi

Hara Asao was born in 1888 in Miyagi. Her family was well-to-do, and although her father (a Westernized, Christian salt merchant with high-collar tastes) died when she was twelve, he directed her mother to spend all the family’s assets on Asao’s needs, and she was able to go on to high school. Illness forced her to drop out after two years, and she spent her recovery reading all the classics, Japanese and foreign, that she could get her hands on.

In 1904 she and her mother moved to Tokyo, where she entered the Japan Women’s School of Art. There she studied poetry as well as becoming close to her English literature teacher, Ohara Yoitsu. When the married Ohara got her pregnant, possibly through rape, she switched schools due to the scandal. Asao refused to listen to his demands that she abort the child; their son Chiaki was born in 1907 and they were perfunctorily married the following year, but the marriage dissolved very quickly and Asao threw herself into writing poetry while teaching at a girls’ school near her hometown. In 1909 her poems caught the eye of Yosano Akiko, and from there on she was published in various leading literary journals of the time, including Subaru and Hiratsuka Raicho’s Bluestocking. Her first volume of poetry, Tearstains, appeared in 1913.

She married the aspiring painter Shoji Isami (an old classmate’s brother who had helped her start school in Tokyo) in 1914 and divorced him in 1919, when the stress of his playboy tendencies and disregard for her and her children had begun to affect her health; in the interim their son Yasumi had been born in 1915, and her second volume of poetry published in 1916.

In 1920 she moved to Sendai in her home region and met the poet Ishiwara Jun, who was also a physics professor at Tohoku University who had introduced the theory of relativity to Japan. Ishiwara, who had a wife and five children, fell hard for the beautiful Asao; she fled to Tokyo to stay with her close friend Mikajima Yoshiko, pleading with Ishiwara’s wife “Don’t let him come after me!” He did, though, and she eventually gave in. Reports of their love affair in the newspapers cost Ishiwara his job; Asao and Yoshiko were both expelled from the influential Araragi poets’ group, although Ishiwara was permitted to remain a member (blame the woman). He and Asao moved together to rural Chiba where they lived quietly, Asao writing poetry—her third volume was published in 1921—and painting while Ishiwara worked as a science journalist. They also started their own poetry journal in 1924, along with various non-Araragi poet friends including Kitahara Hakushu (Eguchi Ayako’s ex-husband).

By 1928 Asao’s relationship with the controlling and occasionally unfaithful Ishiwara had deteriorated, especially due to her shock at Yoshiko's sudden death and his failure to support her; although he wrote a foreword to her fourth volume of poetry, published in 1928, vowing to do better as a husband, she left him later that year. Later in life she continued to write while supporting herself as a bar madam and occasionally an actress. She returned to her hometown in her late forties, assisted by friends and her two sons, and died in 1969 at the age of eighty-two. (She spent her later years with her younger son’s family; her daughter-in-law Momoko reported that Asao enjoyed housework but was unusually bad at it, knitting exquisite but unwearable socks.) Her sons Chiaki and Yasumi became a movie director and an actor respectively, both using her maiden name of Hara (to judge by the Wikipedia photograph, they both inherited their mother’s beauty and then some). Her poems are now the subject of widespread research, and the yearly Hara Asao Award is given for poetry.

Sources
Nakae
Mori 1996
http://www.haraasao.jp/museum/index.html (Japanese) Site of a museum honoring Asao’s life. Click on any of the list of exhibitions in the left margin for various photographs and reproductions.

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Takebayashi Fumiko (1888-1966)

Fri, 10 Apr 2026 11:00:35 GMT

Posted by: nnozomi

Takebayashi Fumiko was born in Ehime in 1888, where her father was a stationmaster; her maiden name was Nakahira. Her mother died when Fumiko was eight; her father remarried his late wife’s sister, who became a loving stepmother to Fumiko. When she was fifteen they moved to Kyoto, where she graduated from high school and attempted to elope with a medical student, getting only as far as the station. After that the family moved to Tokyo as Fumiko’s father was promoted; she considered answering an ad for newspaper reporters but was convinced by her family to give it up. She married a businessman and had three children before their divorce in 1912.

After studying acting with Tsubouchi Shoyo for a few months, she was hired as a reporter, writing under the pen name Nadeshiko; her first article was an interview with the actress Shirai Sumiyo. In 1915 she began a series of “undercover reports,” working as a waitress in various inns and full-service restaurants and writing about her experiences there. The series ran to over fifty articles and drew great attention, but Fumiko was fired at the end of 1915 because of her relationship with an executive of the newspaper (married, with at least one other mistress), which became a major scandal, the more so as Fumiko defended herself in print. She took refuge in a Zen temple and considered becoming a nun, until she met the politician Hayashi Kamobei, who became her second husband. They lived on the royalties from collections of her articles; finding that Hayashi was both violent and jealous as well as unproductive, Fumiko fled to Shanghai where she got a new job as a reporter. She did not return to Japan until the police intervened to ensure that they were safely divorced.

After her return home, she was introduced to the flamboyant writer Takebayashi Musoan (by the romance novelist and mountain climber Naito Chiyoko). Musoan invited her to Paris and she went; they were married first, in 1920, with a crowd of literary luminaries at the reception. Fumiko found herself unexpectedly pregnant; her daughter Yvonne (or Ioko) was born in Paris, and Fumiko adored her so much she started making all Yvonne’s clothes herself. This led to a job running the children’s clothes department at the fashion and cosmetics house Shiseido after they returned to Japan, at a high salary; after a year Fumiko left the company and set up on her own as a high-class milliner.

Upon losing home and business in the Great Kanto Earthquake of 1923 (where Fumiko was buried under rubble in the street, though unhurt), the family returned to Paris. Having tried and failed to manage a Japanese restaurant (during its brief period of success, the customers included Sessue Hayakawa), Fumiko began performing as a Japanese classical dancer, achieving great popularity and making friends with Isadora Duncan. In January 1926, however, her business partner shot her in the face during an argument. She survived without serious injury, but this “Monte Carlo Scandal” blackened her name considerably. In 1932, when Musoan ran out of money, Fumiko returned on her own to Japan; she drove a new General Motors Chevrolet from Osaka to Tokyo, and played the lead in a movie directed by Murata Minoru, returning in triumph to Paris the following year.

In 1934, amid a plan to interview the Prince of Ethiopia upon his marriage, Fumiko met the Japanese merchant Miyata Kozo (six years younger than she) in Antwerp, and they fell in love; they were married in Japan in 1936, once she had divorced Musoan. She and Miyata spent World War II on the outskirts of Brussels and Berlin, before being deported to Harbin via the Siberian Railway. Arriving finally in Osaka, she bought two used buses and turned one into their home and the other into a restaurant/café/beer hall which she called Mistinguett. For the rest of her life, she made a living from restaurant management and sewing while traveling as far as Africa (including a trip back to Europe with the writer Uno Chiyo) and continuing to write. She died in 1966 at the age of seventy-seven; her published work included, among other books, three volumes of autobiography, published over a fifty-year span under the names of Nakahira Fumiko, Takebayashi Fumiko, and Miyata Fumiko respectively (they were recently given snazzy new reprints).

Fumiko’s daughter Yvonne, incidentally, married Tsuji Makoto, the oldest son of Ito Noe; her older daughter, adopted by Takehisa Yumeji’s son, became the Japanese-Colombian painter Nobu Takehisa, while Nobu’s sister Eve joined the Takarazuka Revue.

Sources
Mori 2008 Mori Mayumi has written a lot of interesting and useful books and my list for this site also draws heavily upon her work, but wow, the more I reread her, the more I find her mean-spirited and more interested in the men around the women she's supposedly writing about, oh dear. This one takes the cake, drawing on every source she can find to complain about how Fumiko was the next thing to a whore and only interested in the money she could get out of her men. The Wikipedia article seems a whole lot more even-handed.
https://www.oit.ac.jp/news/news/pressrelease10718.html (Japanese) Two volumes of Fumiko’s reprinted autobiography, An Unsuitable Job for a Woman and Just Look At Her

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Eguchi Ayako (1888-1946)

Fri, 03 Apr 2026 10:04:01 GMT

Posted by: nnozomi

Eguchi Ayako was born in Oita in 1888. Her family, a traditional sake brewery, fell into disarray after her father’s attempt at expanding his business failed, with both parents and several siblings dying in short order. Ayako still managed to graduate from high school with top grades; she married a local lawyer at eighteen and lived in comfort, studying traditional music and dance with servants to do the housework. Her husband was unfaithful, however, and in 1915, when he was posted to faraway Tsushima, she divorced him and—with help from Hiratsuka Raicho of Bluestocking magazine—moved to Tokyo on her own.

Through Ikuta Hanayo, another Bluestocking, Ayako met the poet Kitahara Hakushu, who had just divorced his first wife Toshiko. Three years older than she, Hakushu was also a brewer’s child from the south whose family had lost their standing; he and Ayako also shared interests in poetry and in Buddhist practice. He was already a very successful poet who had spent time in prison for adultery with his first wife, although when free to marry their marriage only lasted a year. Ayako moved in with him at a temple outside Tokyo; not surprisingly, they had very little to live on. We scrape together a little money, and yet, she wrote in a poem, your umbrella pitches against the rain and wind. Eventually, after their marriage in 1918, Hakushu’s poems began to sell, and he planned a large Western home for them; at the earth-placating ceremony, however, while he was in the middle of a quarrel with his brother and a friend, Ayako is said to have slipped away with his publisher. She and Hakushu were divorced in 1920 (he married his third wife Kikuko within the year).

Ayako returned to Oita, stayed with Yanagiwara Byakuren for a while, and then went on a pilgrimage in Shikoku. In 1921 she moved to a temple in Kyoto to practice Zen and in 1923 married a priest there, but the marriage lasted only two months; she contemplated becoming a geisha, and for the moment returned again to her hometown, where in 1928 she published a collection of prose poems.

In 1930 she married Nakamura Kaisen, another Kyoto priest, who kept the marriage secret because of his ambitions for promotion within the order; Ayako spent several years in and out of psychiatric hospitals. She published a book of poetry in 1934. In 1938 she divorced Kaisen and took the tonsure as a Buddhist nun, living in part on contributions from old friends including Ikuta Hanayo and Hasegawa Shigure.

Ayako died at her childhood home in Oita in 1946, at the age of fifty-eight.

Sources
Mori 2008

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Suzuki Hideru (1888-1944)

Fri, 27 Mar 2026 10:06:03 GMT

Posted by: nnozomi

Suzuki Hideru was born in 1888 in Aichi; her father, a salt merchant and part-time inventor, was intent on getting his children the education he had not been granted himself. After graduating from a local girls’ high school in 1906, Hideru entered Japan Women’s University (the first graduate of her school to go on to college) and graduated in 1910. She continued to attend chemistry classes there even after her graduation, because, as she said later “there weren’t any suitable jobs, and I didn’t want to get married.”

There she served as assistant to Nagai Nagayoshi, the eminent pharmaceutical scholar (whose wife Therese was a professor of German at the same university) for classes and experiments. Handling everything from teaching to clerical work for minimal pay, she was so busy she ate her meals standing up. Certified as a chemistry teacher in 1912, she began teaching at the university’s affiliated high school the following year, taking over the chemistry course from Tange Ume when the latter began graduate school. Hideru went on to qualify as a pharmacist (possibly choosing a deliberately different path from the leading women scientists Yasui Kono and Kuroda Chika, according to her sister) in 1918, mostly self-taught; she wrote the names of pharmaceutical ingredients on her ceiling and lay staring at them before she fell asleep. She also taught herself German by writing all her notes and papers in German rather than Japanese.

From 1921 on Hideru did graduate work at the University of Tokyo, which did not accept women students at the time; her teacher Nagai convinced another of his former students to make a special exception for her. Devoted to her work even when handling dangerous ingredients, she continued to study there (while still teaching) until 1926, but was never granted a degree. Thereafter she did her own experiments at Japan Women’s University, eventually teaching at the university as well as high school level there and developing a devoted following of students who appreciated her strictness and with whom she talked late into the night. Her younger sister Kayo was among her students, asking her one evening “so what grade did I get on the exam?” “Ask me tomorrow at school, don’t mix public and private,” Hideru scolded.

In 1932 she received a research study to investigate the structure of perillen, a substance originally identified by her professor at Tokyo University. Her assistant Tsuji Kiyo once accidentally destroyed all of her research materials, to be met with an explosion of fury; Kiyo, horrified, vowed to devote her life to Hideru in expiation, and pretty much did so until Hideru’s death, making sure she had healthy versions of the foods she wanted when diagnosed with diabetes. Hideru wrote to Kiyo during the war, when food was scarce, “I keep your snacks in my bag and munch on them as I walk to school.”

In 1937, upon publishing her paper on perillen, she was granted a Ph.D., making her the first woman in Japan to receive a doctorate in pharmaceutical science. Hideru continued thereafter to teach and research; during World War II, when normal school life became impossible, she researched gas masks and grew mushrooms in the bomb shelter. She died of diabetes-related complications in 1944 at the age of fifty-six, having spent her last days caring for the elderly Tange Ume, the senior chemistry colleague she most admired.

Sources
https://www.ge-at-utokyo.org/hideru-suzuki (English) Short summary of Hideru’s life and various photos, including her Ph.D. diploma and her papers in German and Japanese

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Kimura Komako (1887-1980)

Fri, 20 Mar 2026 12:16:36 GMT

Posted by: nnozomi

Kimura Komako was born in 1887 in Kumamoto, where her family sold fire extinguishers; her maiden name was Kurose. Her grandmother was a singer and she studied shamisen, dance, and theater from early childhood, performing in “children’s kabuki” as well, in part as a way to help support the family: she was eight when the family was bankrupted and her father went to work in Taiwan. She went to needlework school but found it unsatisfying, also studying the Chinese classics and visiting a local church to learn English. After working as a switchboard operator, she had her tuition paid by a family friend at the Kumamoto Girls’ School, where the principal was Yajima Kajiko’s older sister Junko and the school aimed to produce “new women” rather than just the traditional “good wives and wise mothers.” She graduated in 1906.

The friend who had paid her way had a nephew, Kimura Hideo, on whom Komako had a crush. Hopeful of following him to study in America, she entered the Fukuoka Eiwa Girls’ School to improve her English (and apparently picked up a girlfriend in passing), and then went on to study further at the Aoyama Girls’ School in Tokyo. Hideo got Komako pregnant almost immediately upon his return to Japan: their son Shoji (spelled 生死 or “life and death”) was born in 1907. The following year she applied to the Imperial Theatre School for Actresses when it opened and was accepted without an exam, but either prevented from attending by her husband or rejected once the school learned she had had a child before marriage (accounts differ).

In 1909 the Kimuras moved to Tokyo, which they used as a base to travel around promoting Hideo’s kanjizai practice, which lay somewhere among psychotherapy, Buddhism, and spiritualism/woo, based in part on his study with the maverick yoga teacher Pierre Bernard. Komako dressed as the quasi-Buddhist deity Daikokuten to bring in the customers, but they were not especially successful. In 1913 she became one of the founding members of the New Real Women group, along with Nishikawa Fumiko and Miyazaki Mitsuko; they published a journal and offered lectures on women’s rights, working toward women’s suffrage. With Fumiko taking over most of the work, however, Komako went back to acting, becoming a well-paid star at a theater in the Asakusa entertainment district (she also took voice lessons with Miura Tamaki). It may have been at this point that she ran her own theater in Tokyo, performing political protest plays as well as more standard fare.

In 1917 the family traveled to the United States, where Komako performed at Carnegie Hall, met with Congresswoman Jeannette Rankin, and marched with American suffragettes. After their return in 1925, she worked as a dance teacher, hoping at one point to start an arts college. Hideo died in 1935; Komako lived until the age of ninety-two, dying in 1980. They had two children; Akari, born in 1911, died in babyhood, while Shoji became a journalist and the publisher of Japan’s first science fiction magazine. His daughter Fujiko followed in her grandmother’s footsteps to become an actress.

Sources
https://en.wikipedia.org/wiki/Komako_Kimura (English) Citing the English Wikipedia article because its content, notably different from the Japanese article, seems to be derived largely from contemporary newspaper articles in English; the links in the citations are interesting.
https://unseen-japan.com/kimura-komako/ (English) Long biographical article with photos

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Nakijin Nobuko (1887-1968)

Fri, 13 Mar 2026 12:25:30 GMT

Posted by: nnozomi

Nakijin Nobuko was born in 1887 in modern-day Okinawa, the daughter of Crown Prince Shō Ten of the Kingdom of the Ryukyus (by the time of her birth, already deposed under Japanese rule and made a peer instead); her birth name was Shō Omito. She was a part of the first graduating class of the Okinawa Prefectural Girls’ Higher School in 1904, among the elite who were in the vanguard of the shift from Okinawan to Japanese (and later to Western) dress and from Okinawan to Japanese names.

Upon her marriage to the Okinawan nobleman Nakijin Choei, she took the (Japanese-style) first name Nobuko; in addition to their daughter Kazuko, they had a son, Choshu, who died fighting in the Battle of Okinawa. In 1944 Nobuko ascended as the 18th kikoe-ogimi or high priestess of the Ryukyus, inheriting the position after the death of her aunt Princess Amuro, although between Japanese colonization and the war, she was unable to carry out most of the traditional practices. The following year she was briefly a prisoner of war during the US invasion of Okinawa. She died in 1968 at the age of eighty-one.

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Kujo Takeko (1887-1928)

Fri, 06 Mar 2026 11:07:06 GMT

Posted by: nnozomi

Kujo Takeko was born in 1887 in Kyoto, where her father was the abbot of Nishi-Honganji, one of the largest Buddhist temples, and her mother was a concubine (she grew up calling his legitimate wife “Mother”); her maiden name was Otani (a family name still instantly identifiable with the senior Buddhist hierarchy). Intending to make her independent as well as beautiful, her father had her taught poetry and French from her early teens on.

In 1909 she married Baron Kujo Yoshimune [or Yoshitomo or Yoshimasa], a half-brother of then-Imperial Princess Sadako, who proved to be gloomy and unmotivated. They spent the first year of their marriage, along with Takeko’s older brother Kozui (an art collector and possibly a spy) and his wife Kazuko , traveling through Europe to observe the religious practices there; Takeko discovered not only Christianity but the prevalence of community good works. She returned to Japan while Yoshimune stayed in England to study at Cambridge; his original stay, planned for three years, lasted a decade with no signs of his coming home (and only two letters). Meanwhile, Takeko and Kazuko (who was both her brother’s wife and her husband’s sister) had been planning a new women’s project (which eventually merged with an existing school to become Kyoto Women’s University) until Kazuko’s untimely death in 1911.

Takeko continued to work for her Buddhist Women’s Association and to write poetry, which she studied with Sasaki Nobutsuna along with the rebellious fellow poet Yanagiwara Byakuren, who became a close friend. She made herself known in the provinces for her good works (“they say you can cure headaches by scratching your head with the chopsticks I used!” she told Byakuren mischievously). She published a collection of waka poems in 1920, which was also the year Yoshimune finally came home (transformed, apparently, into a good-natured, gentlemanly husband). Their happy married life, living in a temple in Tokyo while Yoshimune worked for a Yokohama bank, was disrupted when the temple burned in the 1923 Great Kanto Earthquake. Seeing the efforts made to support the displaced, Takeko resolved to commit herself further to helping the poor. In 1925, she used the royalties from an essay collection to open a free clinic as well as a rehabilitation center for delinquent girls.

She died in 1928 at the age of forty-two, with a play and two more volumes of poetry published posthumously.

Sources
Nakae; Mori 1996
https://www.fujingaho.jp/culture/archives/g33801797/fujingaho115-culture-200831/ (Japanese) Various contemporary photographs of Takeko

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Varvara Bubnova (1886-1983)

Fri, 27 Feb 2026 12:28:54 GMT

Posted by: nnozomi

Varvara Bubnova was born in 1886 in St. Petersburg, where her father was a bank clerk. Her mother believed that the only way for women to express their ability was through the arts, and taught her three daughters languages, music, and painting. Marya, the oldest, and Anna, the youngest, were both musically gifted, but middle daughter Varvara’s skills ran to the visual arts; at twenty-one she entered the prestigious St. Petersburg Academy of Arts as a painter in oils. There (along with artists including Mayakovsky, Natalia Goncharova, and Kazimir Malevich) she met the painter Voldemārs Matvejs, a Latvian who was studying African art; they spent their summers traveling Europe, visiting museums of art and ethnology and discovering local folklore. In 1914, just after their engagement, Matvejs died; not long after, Varvara’s father followed him.

In response, Varvara buried herself in her work. In 1917, as the Russian Revolution broke out, her sister Anna fled to Japan with her Japanese husband Ono Shun’ichi. Varvara chose to move to Moscow and continue Matvejs’ work, learning lithography and working among others with Kandinsky, Lyubov Popova, and Rodchenko. She published a book on African art in Europe in 1919, under Matvejs’ name.

In 1922, she and her mother made the six-month trip to Japan in order to see Anna and her family. She enjoyed the new landscapes and unfamiliar customs, but found the art world unsatisfying (“they have inherited nothing from the past and have not yet formed anything modern,” she wrote to a friend), although she was fascinated by traditional Japanese painting. Varvara’s own work at first failed to find an audience when it was exhibited. After publishing an essay on Russian art in one of the leading literary journals, she was invited to join an exhibition held by the young avant-garde, who adopted her as one of them. Some theories suggest that her name was the V in MAVO, the name given by the playwright and artist Murayama Tomoyoshi to his journal in 1924.

For an independent income (so as not to be a drag on her sister’s household forever), Varvara took a post as lecturer in Russian at Waseda University and later at the Tokyo University of Foreign Studies, where many of her students later became well-known translators and scholars (at least one, Yonekawa Masao, admired her intelligence and erudition so much as to write that he would have proposed to her if he hadn’t already had a family). In 1927 she married Vladimir Golovshchikov, who was over a decade younger than she (and seems to have no historical existence except as her husband, I’m not even sure I’ve transcribed his name right). She continued to exhibit her lithographs and to discuss art with her colleagues, such as the left-wing satirical cartoonist Yanase Masamu, who shared her admiration for the painter Käthe Kollwitz. Her first solo exhibition was held in 1932, focusing on depictions of laborers such as farmers, fishers, ex-servicemen, and ama divers. The artist Onchi Koshiro, a longtime friend, wrote that her work was “full of extremely realistic detail, cleaving closely to everyday life and yet holding a sense of mystery of a sort.” She went on to provide illustrations for the translations from Russian published by her students, and acted as interpreter for the visionary German architect Bruno Taut when he visited Japan.

During the war, her nationality made her suspect and she was constantly under surveillance, but her friends and students stayed by her. Her mother died in 1940 and her husband in 1946. She continued to ride the tram to her work at the university and teach her students to read Pushkin, a distant relative on her mother’s side. In 1958 she returned to the Soviet Union, where she held several solo exhibitions, settling in Sukhumi (modern-day Abkhazia/Georgia) on the Black Sea along with her older sister Marya. She died in 1983 at the age of ninety-six.

Sources
Mori 2008
https://jp.rbth.com/arts/82711-bubnova-shimai
https://note.com/bunkertokyo/n/nb7d17d92dedd (Japanese) Articles illustrated with Varvara’s works

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Hiratsuka Raicho (1886-1971)

Fri, 20 Feb 2026 11:46:35 GMT

Posted by: nnozomi

Hiratsuka Raicho was born in 1886 in Tokyo, the daughter of a well-to-do senior government official who had studied in Europe; her birth name was Haruko. She graduated from Japan Women’s College (developing a lifelong interest in Zen meditation while a student) in 1906. The next few years were spent studying English and Japanese literature at various schools (including the Eigakujuku founded by Tsuda Umeko), where she studied writing with Ikuta Choko and Morita Sohei. In 1908 Haruko and Morita plunged into a rapidly developing love affair, culminating in an attempt at a love-suicide which it turned out neither of them could bring themselves to go through with. This created an enormous scandal (causing Haruko’s father to lose his job and estranging them until her children were born years later), especially when Morita wrote a novel about it.

In 1911, upon Ikuta’s suggestion that she found a literary magazine run entirely by women, she consulted with her sister’s friend Yasumori Yoshiko and formed an initial editorial board of herself, Yoshiko, Nakano Hatsuko, Kiuchi Teiko, and Mozume Kazuko. The funding for their first issue came from what would have been Haruko’s dowry, handed over by her resigned but supportive mother Tsuya. The magazine was christened Seito [Bluestocking], and Naganuma Chieko drew the illustration for the cover of the inaugural issue, which included a poem by Yosano Akiko and Haruko’s own essay on the theme of “In the beginning, woman was the Sun,” which became a classic of Japanese feminist literature on the spot. The essay called for women’s genius to be released from the strictures of a patriarchal society. It was at this time that she began using the penname Raicho, “thunderbird” or rock ptarmigan.

Other supporters included Hasegawa Shigure, Okada Yachiyo, Mori Shige, and Koganei Kimiko; contributors and assistants included Tamura Toshiko, Nogami Yaeko, Mizuno Senko, Otake Kokichi, Senuma Kayo, Kamichika Ichiko, Ito Noe, Mikajima Yoshiko, and Okamoto Kanoko. Raicho was the moving force, organizing an edition dedicated to discussion of Ibsen’s Nora and her ramifications as well as lecture series and other events. The Bluestocking women became notorious not only for their literary and activist work but also for the “Five-Colored Alcohol Incident” (in which Kokichi went out to a fashionable bar and drank fancy cocktails) and for their in-person observation of the Yoshiwara red-light district (where Raicho chatted with a woman who had attended the same elementary school), identifying them as “decadents,” modern feminists, New Women, distinct from traditional good girls. This era apparently saw a record number of “Noras,” daughters and young wives leaving home with no warning. Raicho took up the gauntlet without hesitation, adding translations of texts by Ellen Key and Emma Goldman to her magazine. Articles by the activist Fukuda Hideko and by Raicho herself earned publication bans from the government.

Raicho spent 1911 and 1912 in a relationship with the “boyish” Kokichi, who liked to affect masculine dress (there is relatively little to be found about this in histories of Raicho, especially in Japanese). In 1914 she moved in with the artist Okumura Hiroshi, nicknamed the “little swallow” because he was (gasp, shock, horror) three years younger than she was. She continued to insist on a common-law marriage until 1941, when wartime asperities made it more convenient to marry officially. In her eyes the relationship was a part of her refusal to engage in the “good wife, wise mother” style of marriage which restricted women’s freedom, but many of the older women in her vicinity, Akiko included, saw it as a feckless young artist leeching off the older and (somewhat) more together Raicho.

Distracted by pregnancy and Okumura’s illness, Raicho passed on editorship of Bluestocking to Ito Noe in 1915; the magazine lasted another year and a bit. Raicho herself later worked as a critic, raised two children (Akemi, born in 1915, and Atsufumi in 1917, both on Raicho’s family register rather than Okumura’s), and engaged in debates on motherhood with Akiko, Yamakawa Kikue, and Yamada Waka. In 1920, she founded the New Women’s Association along with Ichikawa Fusae and Oku Mumeo, fighting for women’s suffrage and greater support for mothers, specifically for an amendment to Article 5 of the Peace Police Law, which prohibited women’s political participation, and a law restricting marriage for men with venereal disease. The former demand was realized two years later (although the latter never came about). With the support of well-known male writers including Sakai Toshihiko, Mori Ogai, and Arishima Takeo, the new Association thrived and Raicho resorted to Western dress to save time amid lecture tours and articles. Three years later she cut her hair (or rather had Okumura cut it for her), becoming the image of the short-bobbed Modern Girl (although her original purpose was to cure her chronic headaches).

Raicho devoted herself after the war to working for world peace through women’s organizations, including opposition to the Vietnam War. She remained the main household breadwinner, albeit with financial support from her birth family. Okumura died in 1964, and Raicho followed him in 1971 at the age of eighty-five.

Sources
Mori 1996; Mori 2008; Tanaka
https://aaww.org/raicho-hiratsuka-beginning-woman-sun/ (English) Brief history of Raicho in comic form
[I can’t find a translation of her fundamental article online, but there is a lot of English material available concerning Raicho via a quick google]

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Shokyokusai Tenkatsu (1886-1944)

Fri, 13 Feb 2026 11:39:46 GMT

Posted by: nnozomi

Shokyokusai Tenkatsu was born in 1886 in Tokyo, where her father was a pawnbroker; her birth name was Nakai Katsu. When the family business went under in 1895, she was indentured to a local tempura restaurant. The restaurant happened to be owned by the stage magician Shokyokusai Ten’ichi, who admired Katsu’s dexterity and took her on as his apprentice. Apparently he pressured her to become his mistress, and she refused him, to the point of attempting suicide once, and finally gave in upon deciding to become a serious magician herself.

Under the name Tenkatsu, she became a star of Ten’ichi’s theater, which had some seventy apprentices. Her big-boned beauty drew many admirers (and created off-the-wall legends such as “she has a diamond for a false tooth” and “she eats the flesh of mermaids”), and she led the troupe as far afield as the United States to perform; there she picked up the fast-paced American style of stage magic. Upon her return, she dazzled in Western-style sequins from head to foot.

In 1911 she founded her own troupe, with a hundred members, and married her stage manager, Noro Tatsunosuke (although it may have been a paper marriage for practical purposes). A nationwide star known as “the Queen of Magic,” she was so famous that she had her own merchandise, as well as imitators under similar names. In 1915, inspired by the performances of the actresses Kawakami Sadayakko and Matsui Sumako as Salomé, Tenkatsu put on her own magic-heavy version.

In 1935 she made a retirement tour of the country, finally passing on the name Tenkatsu to her niece Kinuko in 1937 and settling down in Tokyo to run an inn with her adopted son Teruya. In 1940, at the age of fifty-four, she met and married Kanazawa Ichiro, a professor of Spanish (her first husband had died in 1927). She died in 1944 at fifty-eight, leaving a long string of former apprentices who had become famous magicians, illusionists, and actors, many of them women.

Sources
https://artexhibition.jp/topics/features/20241222-AEJ2535235/ (Japanese) Photographs and playbills from the time
https://www.tokyomagic.jp/labyrinth/tsuchiya/magicgoods-21.htm (Japanese) Contemporary postcards of Tenkatsu in performance

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Nikaido Tokuyo (1880-1941)

Fri, 06 Feb 2026 12:45:46 GMT

Posted by: nnozomi

[This got quite long! The Japanese Wikipedia page goes into unbelievable detail.]

Nikaido Tokuyo was born in 1880 in a mountain village in Miyagi. She finished her schooling at fifteen and became an elementary school teacher’s aide in the same year, like many rural girls; her students enjoyed their bouncy young teacher. Deciding to get formal education credentials, she applied first to the Miyagi Normal School, which no longer had a women’s department, and then to the Fukushima Normal School, which told her she had to be a resident of Fukushima; nothing daunted, she got herself adopted (on paper) by the editor of a Fukushima newspaper, started school, and graduated in 1899. At the Normal School she found the old-fashioned gym classes boring, but did well in them as a student teacher, allowed to wear her “sports” outfit (tight sleeves and a hakama) on a daily basis.

Teaching once again, she encountered Naganuma Chieko, the older sister of one of her students; they became lifelong friends. In 1900 she took leave and entered the Women’s Higher Normal School in Tokyo, where she studied pedagogy with Yasui Tetsu as well as gym and poetry. She graduated in 1904 and went to teach at the Ishikawa Girls’ Higher School, where—having expected to teach Japanese—she found herself assigned to gym classes; resentful at first, she found they improved her own health as well as her students’, and began taking gymnastics lessons with Frances Kate Morgan, a local Canadian missionary. Eventually she progressed to coaching local elementary school teachers in gymnastics instruction. A gymnastics demonstration at which students danced the quadrille, with a live band sponsored by the prefectural governor (whose daughter was among the students) was so popular that local high school boys, unable to get tickets, climbed over the fence and caused a minor riot.

Tokuyo was transferred to Kochi in 1907; there she became famous for reading Shakespeare to her students while they rested in the shade between exercises. In 1911 she took up a position at the Women’s Higher Normal School, where she briefly worked with Inokuchi Akuri; the following year, the Ministry of Education sent her to England to study gymnastics. There, under Martina Bergman-Österberg, she was able to study systematically in comparison to the bits-and-pieces, mix-and-match approach she had followed so far (her instructors were surprised at how little she knew about standard gymnastics).

After her return to Japan in 1915, she taught dance, gymnastics, games, and sports (including cricket, the fruit of her study in England) at the Higher Normal School as well as Tokyo Women’s University, publishing several books as well. After some clashes with her colleagues, she resolved to set up her own school. In 1919 she formed the Association of Women Gymnastics Teachers; in 1922 she founded the Nikaido Gymnastics School to research women’s physical education and train women teachers; it was her stance that women should educate women. In addition to Tokuyo herself, instructors included various military doctors and athletes as well as her little brothers, who showed up to teach Japanese, while her mother Kin—once a tough farm girl who hated sewing—ran the dormitory. In 1925, stimulated by the matriculation of the Olympic runner Hitomi Kinue, Tokuyo decided that her school needed to train athletes as well as teachers. The school was approved as the Japan Women’s Vocational School of Physical Education in 1926.

In her later years Tokuyo became increasingly nationalist as Japan slid toward wartime status; she had a perpetual adoration for the military. She died in 1941 at the age of sixty. (In 1943, a newspaper printed her thoughts on the establishment of a women’s physical education exam; the text actually came from her brother, but she was considered better news regardless of the fact that she had already been dead for two years.) Among her students were the dance teacher Tokura Haru, who was instrumental in keeping the school solvent, and the politician Yamashita Harue; Tokuyo’s school remains in existence as the Japan Women’s College of Physical Education. She was said to have had the powerful voice of an opera singer, or rather of the gym teacher she was; she also had a repertoire of insults to rival Captain Haddock, including “jelly on horseback!” “rotten washcloth!” “misshapen rock candy!” and so on.

Sources
https://www.jwcpe.ac.jp/college_info/idea/founder/ (Japanese) Includes a picture of Tokuyo with her students in uniform

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Jodai Yoshi (1878-1927)

Fri, 30 Jan 2026 09:23:53 GMT

Posted by: nnozomi

[Note that I can only find one (1) source for this lady at all, so the accuracy of this account may be in (even) more question than usual.]

Jodai Yoshi was born in Nagasaki in 1878; her original family name was Arashima, but she was adopted as a baby by the Jodai family, who ran a restaurant/bar. She grew up as an apprentice geisha, learning dance, shamisen, koto, flower arranging, and the tea ceremony. In 1903, when the family fortunes suffered, she went out to Manchuria to earn some money. The Russo-Japanese War began the following year; Yoshi followed the army north to Mukden [Shenyang] and then south to Changchun, doing well for herself. At thirty she opened her own restaurant/brothel in Harbin, the Musashino, which had its own bathhouse and was popular with vagabonds and adventurers.

As Russia made inroads into Manchuria, Yoshi was recruited by the Kantogun to serve as a spy. She used her network of women throughout Manchuria and Siberia, mostly karayuki-san (like the two O-Kikus) who knew the region and its inhabitants of all nationalities. Reports went to a brothel madam in Irkutsk. The Musashino, now employing a large number of these karayuki-san, became a private-sector spy factory of sorts, where women grew practiced at teasing classified information out of their customers in bed or over drinks. For some of them it was a chance to feel redeemed for past experiences considered shameful, whether being sold as a child, fleeing to the Continent to avoid rap sheets in Japan, surviving a love suicide, or much worse. Yoshi herself survived the Russo-Japanese War and the following upheavals, remaining in control of the Musashino to die a wealthy woman in 1927 at the age of forty-eight.

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Degami Kiku (1877-1924) and Yamamoto Kikuko (1884-1923)

Fri, 23 Jan 2026 09:26:38 GMT

Posted by: nnozomi

I’m putting these two O-Kiku together because they were both karayuki-san (Japanese women forced into sex work abroad) who made a name for themselves, as well as being close in age (but they are definitely two different people).
Degami Kiku was born in 1877 in Yamaguchi, in a shipbuilding village with frequent interactions with Korea and the continent beyond. Orphaned by seventeen, she went to Korea to work in a bar in Incheon, where a sailor who liked her helped smuggle her into Vladivostok. There she went to work in a Japanese-owned brothel, serving Russian, Korean, Chinese, and Japanese customers. She followed the Siberian Railway construction to Chita and then Chichihar, saving up to twenty thousand yen (an absurdly huge sum in those days) from the gold dust her miner customers paid her with. Avoiding a Russian-Chinese clash (possibly the alleged Blagoveshchensk massacre of 1900?) she returned to Vladivostok with her earnings and opened a brothel under her own name. She shortly became known as the local Big Sister or Amazon.

After a brief return to Japan during the Russo-Japanese War, she came back to Russia and settled in the gold-mining area of Zeya with a suitcase stuffed with Japanese remedies, which sold immediately; once she had cash in hand, she set up an even larger brothel, with twenty women and ten chefs.

Kiku earned military medals along with the nickname of Siberia O-Kiku for her collaboration with the Japanese Army upon their Siberian invasion in 1918, trading on her Korean and Chinese connections to work as a successful spy in conditions of great danger. She became partly paralyzed afterward, settling in Harbin with her friend O-Tsuma to sell Russian sweets and live quietly. She died in 1924 at the age of forty-seven.

Yamamoto Kikuko was born in 1884 in Kumamoto; her poverty-stricken family sold her to a restaurant/brothel in Seoul when she was seven. By 1916, having wandered through Korea, China, and Siberia, she too had ended up in Blagoveshchensk, where she ran a bar called the Aurora Palace. There (at least according to one account, which seems a little too dramatic to be true, but who knows) she fell in love with Sun Huating, a sworn brother of Zhang Zuolin. Hearing that he was about to be executed by the Kantogun, she summoned his underlings and rushed the place of execution along with them on horseback, brandishing a dagger. This dramatic rescue saw her established as a bandit chief in her own right (Sun Huating felt she was better suited to leadership than he was), known as Manchuria O-Kiku, with a hundred underlings; the safe-conduct passes she issued for her territory were considered the gold standard. She died in 1923 at the age of thirty-nine.

Sources
https://comic.k-manga.jp/title/2069/pv (Japanese) Manga about Manchuria O-Kiku (click the orange rectangle to see inside)

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Aso Ito (1876-1956)

Fri, 16 Jan 2026 11:38:46 GMT

Posted by: nnozomi

Aso Ito was born in 1876 in Onomichi, Hiroshima, where her family kept a tobacco shop or possibly an inn. After finishing elementary school she was fostered out to a family in Kobe. The details of her youth are not clear, but she probably spent much of it as a live-in maid and a factory clerk. She married while in Osaka and had a daughter [although some sources say she adopted a daughter later but never had children of her own], but left her husband because he was “truly boring.”

Around 1910 or so, she took her young daughter [if she had one] and moved to Innoshima, an offshore island near her birthplace, where she launched the Aso-gumi company as a subcontractor to the various shipbuilding companies now established there. Her specialty was brokerage and ship scrapping. Shipbuilding was then a thriving industry and the Aso-gumi flourished, with employees eventually numbering over a thousand.

Ito also opened the Aso Inn, since there was then nowhere to stay on the island, which became popular with politicians like Ozaki Yukio (and presumably his wife Yei) and writers such as Kawahigashi Hekigoto and Hayashi Fumiko. Fumiko, another Onomichi native, put Ito into a novel as O-Riku, with “hair short as a man and cigarettes in her sleeve.” She had her employees call her “uncle” or “gramps.” Hekigoto described her as a tiny woman dressed in men’s clothes, with a square face, a formidable gaze, and a heavy Kansai drawl, hair cut very short and a dueling scar on her forehead, sometimes hidden by her Panama hat. The knife scar came from a quarrel with an electrician over payment; Ito visited him while he was in prison for the attack and employed him when he came out, earning his eternal loyalty.

The money she earned went back to the community: she founded a kindergarten, a girls’ vocational school, and a scholarship fund in the region and built a sewage system and several parks, as well as a temple to Kannon. In her old age she left her business to another single mother she trusted and went to live in her park near the Kannon temple, where she prayed regularly. She died in 1956 at the age of eighty.

Sources
http://kamijimajiten.com/104 (Japanese) Adorable illustration of Ito by local (modern-day) elementary schoolers

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Furuya Kiyoko (1875-1929)

Fri, 09 Jan 2026 11:53:26 GMT

Posted by: nnozomi

Furuya Kiyoko was born in Kumamoto in 1875; her maiden name was Ihoshi. She was two years old when the Satsuma Rebellion broke out in Kyushu, a civil war which left Kumamoto Prefecture devastated. Relying on the Japan-Hawaii Immigration Convention of 1886, her family left Japan when she was eleven to work as laborers on the Hawaii sugar cane plantations.

The conditions there were appalling, with Japanese laborers living in camps and frequently beaten while working out their indentures. Kiyoko’s family stayed on after their contracts expired, unable to earn enough money to go home as inflation rose in Japan. It was there that she met Furuya Komahei, a shopboy for a white-owned liquor store who spoke fluent English and was also a black belt in judo. She was probably twenty or in her late teens when they married, opening a general goods store on Honolulu’s bustling King Street; she did the accounting and kept the store solvent. Over the next few years, Hawaii’s sovereignty was to fall in a coup d’etat followed by annexation to the United States; Kiyoko’s personal life was also upset when Komahei was arrested in 1896 for involvement in opium smuggling, caught up with the maverick Japanese missionary and coffee planter Hoshina Ken’ichiro.

As Hawaii became an ever more unfavorable environment for the Japanese, Kiyoko and Komahei picked up and went. First they returned to Japan, where they procured a large quantity of Japanese goods and headed for Cape Town in South Africa, arriving there in 1897 after a six-month journey via Hong Kong, Singapore, and Bombay.

They settled down to found the Mikado Shokai trading house. Although trouble seemed to follow them, with the Boer War breaking out in 1898, orders placed by the English military helped keep their new business afloat. They also served as brokers for the British Museum when it purchased East Asian antiques. Eventually they were employing over a dozen people, two thirds of them white. Kiyoko, almost the only Japanese woman in Africa [citation needed, sorry, I don’t know how to go about researching this] at this point in time, served as a big sister and mother to the young Japanese men working there, while taking an active part in running the store and traveling back and forth to Japan to procure goods.

By the age of forty, in 1915, she was homesick enough to settle in Japan for good. Komahei joined her permanently eight years later as British prejudice against the Japanese worsened; he built them a mansion in fashionable Hakone and continued to do business under the Mikado name, until the Great Kanto Earthquake killed him and his employees at work in Yokohama in September 1923. Kiyoko moved in with Komahei’s niece and her husband, who had worked with them in Cape Town, and adopted one of their children. Decorated by the government for her charitable donations (including the elementary school in Komahei’s home village as well as temples and shrines), she died in 1929 at the age of fifty-four.

Sources
https://www.ndl.go.jp/kaleido/e/entry/14/1.html (English) There are not a lot of sources which mention Kiyoko or even Komahei that I could find online; this touches only briefly on Komahei’s life but offers a lot of interesting background and does include a picture of both of them and Komahei’s niece Kimiko.

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Midorikawa Kata (1872-1962)

Fri, 02 Jan 2026 09:55:45 GMT

Posted by: nnozomi

Midorikawa Kata was born in 1872 (or maybe 1869?) in Tottori, where her father was a samurai retainer; her maiden name was Wada, and after her father led a failed rebellion she was adopted as a baby by the Hori family, of similar rank. At age fifteen, she began to study Chinese classics and etiquette at the local temple in order to prepare for marriage. The following year, she married Miki Setsujiro, son of a local banker. She was seventeen when her first son, Masao, was born, and twenty when his brother Tsutomu appeared.

In 1895, aged twenty-three, she divorced Setsujiro on account of his infidelity and went to Tokyo, taking Tsutomu with her. She was escorted en route by seventeen-year-old Midorikawa Kikuo, on his way to enter university. In Tokyo, she consigned Tsutomu to his father’s family and entered the nursing school affiliated with Tokyo Imperial University, where she was also baptized. She graduated in 1897; although her good grades led to a suggestion of studying in Germany, she worked as a visiting nurse for five years and then went to Hokkaido to marry Kikuo, who was working as a journalist in Otaru, writing pacifist and anti-authoritarian editorials protesting offenses against the Ainu as well as the Ashio Copper Mine problem; he spent the rest of his life on the authorities’ list of left-wing suspicious characters, followed by policemen.

Now with a son and three daughters, they returned to Tokyo in 1908, where Kata worked as a nurse while raising her children; her income was sometimes all the family had during the periods when Kikuo’s left-wing views put him out of work. In 1919, she learned about Mrs. Pankhurst and the women’s temperance movement in the UK from Kikuo while he was working there, and set up a Tokyo branch on her own. In 1925, she established a Women’s Suffrage League, arguing for women’s rights from the housewife’s perspective, and submitting petitions on women’s suffrage and women’s rights in general to the Imperial Diet. In 1927 she founded the Women’s Rights Protection Association, issuing the journal Joken [Women’s Rights].

Kikuo died in 1934. In 1945, when Kata was seventy-three, women’s suffrage became a reality. She died in 1962 at the age of ninety, still fighting the Japan-US Security Treaty of 1960.

Between Kikuo, her children from both marriages, and Kata herself, they had a remarkably wide circle of notable friends, colleagues, and relatives. Her oldest son Masao, better known as the poet Miki Rofu, was part of the “Akai Tori [Red Bird]” children’s literature movement and well acquainted with Yamada Kosaku (Tsuneko Gauntlett’s brother); her son Michio, a movie cameraman, taught Ozu Yasujiro his trade, while her daughter Yoshiko was married to the director Uchida Tomu and their son was Uchida Issaku (known for directing the Kamen Rider movies). Sumiko, the oldest daughter, worked in broadcasting for NHK along with her husband; Kunie, daughter number two, was an academic, and Kiyo, the youngest, became director of Japan’s first facility for multiply disabled children. Kikuo’s professional and political life brought him into contact at varying points with the poet Ishikawa Takuboku (husband of Setsuko), the author Kobayashi Takiji, the revolutionaries Kotoku Shusui (lover of Kanno Suga) and Sakai Toshihiko, and the politician Hara Kei (husband of Sadako and Asa). Kata herself became involved, through her women’s rights activism, with Hiratsuka Raicho, Ichikawa Fusae, Yosano Akiko, and Nishikawa Fumiko among others.

Sources
https://www.asahi.com/articles/photo/AS20210427003216.html?iref=pc_photo_gallery_next_arrow (Japanese) Click through the image to see selections from a picture book about Kata’s life (I couldn’t find more images)

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Sonobe Hideo (1870-1963)

Fri, 26 Dec 2025 11:53:26 GMT

Posted by: nnozomi

Sonobe Hideo was born in 1870 up north in Sendai; her birth name was Kusaka Tarita (a first name meaning “enough,” possibly in the sense of “enough daughters already,” as she was number six). Her father was a stablemaster for the local lord, and she spent her early youth riding around on his horses and driving everyone to distraction. In 1886, the Jikishin Kage-ryu swordmaster Satake Kanryusai came to town with his wife Shigeo, a master of the naginata (polearm), to give a demonstration of their martial arts, fascinating Tarita, who joined him as a student (in spite of violent opposition from her family).

She helped out behind the scenes while learning the naginata from Kanryusai and Shigeo, becoming a certified master in 1888 at the age of eighteen. Kanryusai gave her the name Hideo in commemoration, which she used for the rest of her life (written with the characters 秀, excellent, and 雄, male, it is usually a man’s name, but was apparently intended to mean “superior to the men”; the “o” may also have been in honor of the same character in Shigeo’s name).

In 1891 Hideo married Yoshioka Gosaburo, a fellow swordmaster, but found herself widowed within only a few years. She fostered out her young daughter and continued her work as a traveling swordmaster. In 1896 the Satakes made her the head of the Jikishin Kage-ryu Naginata school, and in the same year she married Sonobe Masatoshi, a swordmaster in a related school, using his family name thereafter. While looking after the home and taking care of his mother and his children from a previous marriage, she continued to practice the naginata, defeating her husband every time they met in the dojo.

In 1899 she was the only woman to participate in the 4th All-Japan Kendo Tournament, handily defeating several formidable opponents, most of them close to a foot taller than she was. Thereafter, she taught naginata at her husband’s martial arts school in Kobe, the Kobukan, while also offering classes at regional women’s normal schools and private lessons to the nobility. “Keep the naginata in mind all the time, whether you’re sweeping the floor or walking down the street,” she advised. She continued to rack up an impressive record of tournament wins and teaching experience; in 1930 she took part in a woman’s match at the Imperial Palace against her student Yamauchi Sachiko (the former princess who ended up not marrying the Taisho Emperor, in favor of Kujo Sadako), which—amazingly—can be seen on video here.

Hideo founded her own naginata dojo, the Shutokukan, in 1936. Said to have lost only two matches throughout her life, she died in 1963 at the age of ninety-three. Training in her school of naginata is still an active concern.

Sources
https://koryu.com/library/wwj4/ (English) Article on Hideo and her martial arts practice
https://www.myday.com.tw/a_myday/product_view.php?apiname=api_japan_yahoo&itemcode=e1088243017 (Chinese) Sorry for the weird site link; this painting seems to show Satake Shigeo (on the left) fighting with naginata

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Toné Milne (1860-1925)

Fri, 19 Dec 2025 11:43:10 GMT

Posted by: nnozomi

Toné Milne was born in 1860 in Hakodate, Hokkaido, to a family originally without a surname. Her father, a Buddhist priest, doubled as a civil engineer who relieved water shortages in the city with a river redirection project, and later acquired the family name Horikawa (“dug river”) thereby. As a child Toné learned English from the British naturalist Thomas Blakiston, a neighbor of theirs (Hakodate, then as now a trading port, was well supplied with foreigners).

In 1872 she was sent far south to Tokyo to attend the Temporary Pioneer School, the women’s branch of the Sapporo Agricultural College, which was intended to prepare girls to become good wives to Hokkaido pioneers. (Among her classmates, albeit six years older, would have been Hirose O-Tsune.) Cast among daughters of the nobility and the rich upper-middle class, Toné was the only one there without a surname, and found life at school difficult; she also disagreed with its good-wife/wise-mother morals. After the school relocated to Sapporo, she was often sick and, when in school, inattentive; these days the signs would have been more familiar, but at the time she was expelled on the pretext of “a brain disease which prevents her from concentrating on her academics.”

Rumors of “the girl with the brain disease” spread quickly, although her family were supportive and she hoped to open her own English school. She did get a proposal of marriage from the owner of a kimono shop, because he thought she “would look so good in Western clothing.” Toné retorted that she wasn’t a dress-up doll and couldn’t stand men who behaved as if women were their possessions. Her suitor backed off, and the rumors intensified.

In 1878, her father died. On a visit to his grave, Toné encountered Thomas Blakiston on the same errand; he was accompanied by a foreign friend, the British seismologist John Milne. With the aid of Toné’s English skills, she and Milne became quickly close. When he had to leave Hakodate for work, he promised to return and asked her to correspond with him in the meantime, which she did. On his return the following year, she greeted him with “Welcome back to Hakodate,” to which he responded “I haven’t come back to Hakodate, I’ve come back to you.” Toné confessed her history of expulsion and “brain disease” to him; he took it in stride, telling her in turn about facing discrimination in England as a Scotsman. They began life together in Tokyo in 1880 as a common-law couple (religious differences made formal marriage difficult), where Milne helped found the Seismological Society of Japan and Toné served as his assistant, translating Japanese texts and researching the history of earthquakes in Japan.

They were officially married in 1895, after almost fifteen years together. At this point the First Sino-Japanese War was helping turn Japan against foreigners; in addition, a fire destroyed much of their home and work. Milne decided to return home to the UK and take Toné with him, along with Hirota Shinobu, his devoted research partner. There they settled on the Isle of Wight. Although lonely and homesick for Japan, Toné considered her marriage a fulfilling one to a man who treated her like a fellow human being. Milne died in 1913; after waiting out the First World War, Toné returned to Japan in 1920 and died in her hometown of Hakodate in 1925 at the age of sixty-four.

Sources
https://mixedmuseum.org.uk/main-exhibition/1900-john-milne-and-tone-horikawa/ (English) Account of Toné’s marriage, with numerous photographs of their later life

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Fuchizawa Noe (1850-1936)

Fri, 12 Dec 2025 11:07:06 GMT

Posted by: nnozomi

Fuchizawa Noe was born in 1850 in Iwate, where her father was a farmer and teacher. Unlucky enough to be born the same year as a major fire, along with ongoing poor harvests, she was fostered out as a baby; her foster parents, the Hamadas, were affectionate, but her foster father died when she was six, after which her foster mother Karu raised her alone, having her educated to the extent possible in the village. At thirteen Noe was indentured to a local shoe store, remaining there until her marriage to the owner’s son at twenty-three. It went badly and she was soon divorced, returning to her birth family to live with a brother. Like Sono Teruko, she took up reading Fukuzawa Yukichi’s work and discovered an urge to study in America.

In 1879, her chance came by way of working as a maid with the family of the engineer Gervaise Purcell, who was returning to America. She spent a year with the Purcells and then went to live with the Prince family in San Francisco, studying English while she worked. She was baptized in 1882.

In the same year, she gave in to her foster mother’s pleas to return to Japan; at thirty-two, she entered Doshisha Girls’ School, leaving three years later when she could no longer afford the fees. She became a teacher first at Toyo Eiwa Girls’ School and then at Hitotsubashi Higher Girls’ School, interpreting for her former employer Miss Prince. After teaching at a series of girls’ schools in the south, building lifelong connections with some of her students, she kept a stationery store for some time in Tokyo, until 1904 when her foster mother Karu died.

In 1905, Noe visited Korea at the invitation of Viscount Okabe Nagamoto and his wife Okako, whom she had met on the boat home from America. She was appalled by the situation of Korean women, whom she found to be shut up inside their homes and required to submit blindly to their menfolk. Making a decision to devote the rest of her life to Korean girls’ education, she founded the Japan-Korea Women’s Association in early 1906, with the support of various eminent Koreans. In May she opened Meishin Girls’ School (later Sookmyung Girls’ School). Lee Jeong-sook, its first principal, thus became the first woman principal in Korea, while Noe served as dean (they were said to rely on each other to the point of telepathy). The school started out unpromisingly with five students, thanks to its stringent rule of taking only the purest of noble blood and to general disinterest in girls’ education. Subjects included Japanese, morals, sewing, and arithmetic among others. They resorted to a student dormitory because girls of high birth couldn’t be seen walking in the streets, requiring a carriage or a veil; when the school eventually outgrew the dormitory, they settled for confusing the eyes of passersby by having the students wear uniform. The language gap was a struggle. However, by 1936 the student body was to have grown to over 500.

Carefully selected and educated as they were, the Sookmyong students were by no means resigned to their colonial suzerains, taking part in the March First liberation movement of 1919 and holding a four-month strike against Japanese teachers and Japanizing education in 1927. Although she did not sympathize with the students’ views, Noe did her best to protect them according to her own lights, juggling connections with the Korean Governor-General and the local churches and women’s associations, having arrested students released on her own recognizance and allowing them to graduate without a stain on their records. She was dedicated to the peaceful “merging” of Japan and Korea, representing at best the “benevolent” side of colonialism while still committed to doing what she saw as the right thing, and in her own way contributing to women’s education in Korea.

Noe met in 1921 with Yajima Kajiko and Kubushiro Ochimi upon their visit to Korea to found a Korean branch of the WCTU, of which she promptly became chair. Known in her old age for spending the winters wearing hats knitted by her students, she died in 1936 at the age of eighty-six. Her funeral was held at her school and she was buried in Seoul (although after the Korean War her remains were moved to a temple in her Iwate home town). Sookmyung Women’s University remains a thriving concern in South Korea; its website names Lee Jeong-sook and the Korean royal family as participants in its founding, but does not refer by name to Noe.

Sources
https://nagoyawsrg.wordpress.com/wp-content/uploads/2014/07/essays2008.pdf (English) Essay going into more detail about Japan’s colonial history in Korea as it relates to Noe.

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Sono Teruko (1846-1925)

Fri, 05 Dec 2025 11:49:09 GMT

Posted by: nnozomi

Sono Teruko was born in 1846 in Edo (later to be Tokyo) in a well-to-do doctor’s household; her two brothers both became doctors as well and her sister Haruko a teacher. In 1865 she married a local samurai; their daughter Toyoko was born in 1868, but as the world changed around them with the Meiji Restoration, Teruko quarreled frequently with her husband over his drinking and his way with money (his samurai-style way of doing business was not profitable). In 1871 she left him and returned to the family home, now in Ibaraki, with her daughter.

After teaching along with Haruko for some time, she left for Tokyo to study the law (leaving Toyoko with her sister as the future inheritor of the household). In 1874, after a short apprenticeship, she became a daigennin or unofficial lawyer, the only woman to do so, and brought her daughter to Tokyo now that she had a means of support. Over the next eleven years she won numerous cases, becoming a celebrity for her elegant and practical clothing and hairstyle as well as her legal skills. It was increasingly difficult to make a living, however (in the hot summer of 1876 she ran a popular but short-lived icehouse as a side hustle), as the legal system became formalized: to be a lawyer you had to pass an exam, and to pass the exam you had to go to law school, and to go to law school you had to be a man. Facing the end of her legal career, Teruko decided to focus on education for women. She consulted the philosopher and supporter of women’s education Fukuzawa Yukichi, who said cynically that since most men studying overseas wasted the money spent on them, she ought to start off with nothing and earn on her own account.

In 1885 she set off for San Francisco, where the first thing that happened was a bank failure that left her penniless. With help from a local church, where she became a Christian and did mission work among Japanese sex workers, she started from scratch, working as a maid while she attended elementary school to master English and eventually graduated at the age of forty-two. She continued her studies in Chicago and New York, meanwhile setting up women’s groups and giving speeches on human rights and welfare for the Women’s Christian Temperance Union. She also published an autobiography in English.

In 1893 she returned to Japan, pausing to report to Fukuzawa that his snide remark had come true and leaving him speechless. The following year she launched the Komatsu [or Kisho?] Girls’ School, which taught reading, writing, calligraphy, arithmetic, accounting, English, and various household skills; its opening ceremony was attended by Tsuda Umeko among others. The school was funded by the church, however, and eventually closed down after Teruko’s views on education clashed with the official line. She began to drift away from Christianity, becoming a Buddhist nun in 1904 and settling down in a quiet temple, from which she continued charity work supporting education, the Red Cross, and women’s rights. She died in 1925 at the age of seventy-nine.

Sources
https://archive.org/details/telsonojapaneser00sono/page/n7/mode/2up (English) Teruko’s 1890 autobiography

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Kusunose Kita (1836-1920)

Fri, 28 Nov 2025 12:23:31 GMT

Posted by: nnozomi

[Here we go back in chronological order for several weeks, on account of I found a list including several interesting people I hadn’t come across before]

Kusunose Kita was born in 1836 in Kochi, a rice merchant’s daughter; her maiden name was Kesamaru (or else she may not have had a maiden name [I never understand how things before 1868 worked]). At twenty-one she married Kusunose Minoru, a local samurai, who taught her kendo and other martial arts. They had no children, so Kita became head of the family upon Minoru’s death in 1874.

Although as family head Kita was required to pay taxes, being a woman she was not allowed to vote in the 1878 district election. In protest she withheld her taxes until a warning letter arrived; in response, she sent the prefectural government a letter stating that rights and duties should run in tandem, and if they wouldn’t let her vote she wasn’t going to pay her taxes either. The matter went all the way up to the Home Ministry. When a law permitting local district assemblies to set their own election rules was passed in 1880, Kita’s district was the first in Japan to recognize women’s suffrage (although restricted to women heads of households).

While the law was overturned again in 1884, Kita used her protest experience to support the Risshisha freedom and civil rights movement as well as the women’s rights movement, giving speeches around Shikoku and offering houseroom to visiting activists, including Kishida Toshiko. She took the platform herself for debates, ribbing a Western-learned opponent with “He may speak in English, but I’m going to speak in Japanese.” In her old age she took a Buddhist nun’s tonsure and helped run several charity ventures, including a school for the blind and deaf. Known as “Granny Civil Rights,” she died in 1920 at the age of eighty-four.

Sources
https://note.com/yoshizuka/n/nb002464d1f11 (Japanese/English) Photograph, memorial, manga excerpt etc.

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Takamura Chieko (1886-1938)

Fri, 21 Nov 2025 11:39:57 GMT

Posted by: nnozomi

[1886 seems to have been a particularly tragic birth year; hang on until next week or the week after, when it starts getting better.]

Takamura Chieko was born in 1886 in Fukushima, where her family ran a sake brewery; her maiden name was Naganuma. After graduating from high school, she left for Tokyo in 1903 to enter Japan Women’s University. Although quiet and shy, she was a tennis star (defeating her classmate Hiratsuka Raicho frequently) and one of the first female university students to ride a bicycle (perhaps influenced by Nikaido Tokuyo, later a leader of women’s physical education in Japan, who had been Chieko’s sister’s teacher and became a lifelong friend).

She graduated from the home economics department in 1907, and convinced her parents to let her stay in Tokyo and study oil painting (she had started painting while in college; although dormitory residents were not allowed snacks, bread to be used as an eraser was permitted, and she enjoyed nibbling it). At the school of art, she dressed flamboyantly, with a scarlet kimono robe and cobalt-blue cloak, but worked hard (unflustered even when the nude models were male) and stuck quietly to her own pursuits. She did have a crush on fellow student Nakamura Tsune, who was later to propose unsuccessfully to Soma Kokko’s daughter Toshiko.

In 1911 Chieko became involved with Raicho’s feminist magazine Seito [Bluestocking], drawing its first cover illustration. It was around this time that she met the sculptor and poet Takamura Kotaro; he ran the art store where Chieko and Tamura Toshiko held a joint exhibition. Three years older than she, Kotaro had just come back from a tour of France and the US after finishing art school. They married in 1914, after two years as lovers. While she continued to paint after marriage as well as serving as Kotaro’s model, she struggled with her artistic vision, particularly with color.

In 1929, Chieko’s family in Fukushima fell on hard times. Her mother and niece came to live in Tokyo, where money was short; although she was determined to help support them, Chieko was unable to sell her paintings. Shortly afterward she began to show signs of schizophrenia. In 1932 she attempted suicide, and was eventually institutionalized; her niece Haruko became her principal carer. She would no longer attempt oil paintings, instead devoting herself to paper cutting art and producing over a thousand artworks, which she showed proudly to Kotaro when he visited.
She died in 1938 at the age of fifty-two. Kotaro published the Chieko-sho collection three years later, a kind of biography in poetry of his wife. Numerous films and dramas have since been made about the two of them.

Sources
Nakae
Mori 1996
https://palianshow.wordpress.com/2025/05/20/chieko-takamura/ (English) Photos of Chieko and selections of her artwork
https://koyama287.livedoor.blog/archives/cat_34807.html (Japanese) This is an enormous archive about Takamura Kotaro which also contains hundreds of articles tagged with Chieko; I am not up to going through them all but a skim through the illustrations should be interesting.

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Mikajima Yoshiko (1886-1927)

Fri, 14 Nov 2025 11:22:52 GMT

Posted by: nnozomi

Mikajima Yoshiko was born in 1886 in Saitama, in a village that shared her family name, where her father was the elementary school principal. She went to the prefectural Normal School for Girls, where she began to write poems, but dropped out due to illness (because of the money needed for her care, her two younger half-brothers went into indenture after finishing elementary school; one was much later to be discovered by Kurosawa Akira and become the actor Hidari Bokuzen).

Upon her recovery, in 1908, she became an elementary school teacher and started submitting her poetry to the Women’s Literature magazine [edited by Kawai Suimei, whose wife Shimamoto Hisae is one of the sources regularly drawn on here], where her work drew the eye of Yosano Akiko, the leading woman poet of the time, who invited her to join the Shinshisha poets’ group. Yoshiko was teaching in a remote village at the time, but the magazine and correspondence with its other readers were among her lifelines, along with books and newspaper clippings sent by her brothers (working at a bookstore and a newspaper publisher’s respectively).

In 1911, Hiratsuka Raicho founded Seito [Bluestocking] and Yoshiko, drawn by the magazine’s rhetoric, became its 53rd group member. Bluestocking first carried her poems in March 1912, and would do so frequently thereafter. In 1914, she took the bold step of moving in with the poet Kurakata Kan’ichi, an affair reflected in the proliferation of love poems in her work at the time. She was quickly disillusioned, however, by the mundanity of his demands—“do my laundry, mend my suit” and so on. He began to hit her; she had a baby; she kept writing.

In 1921 she joined the Araragi poets’ group. When one of its other members, the married physicist Ishiwara Jun, caused a scandal through an affair with the poet Hara Asao, Yoshiko defended her friend Asao in print and was ejected from Araragi membership (while Asao and Ishiwara ended up settling down together). Later, Yoshiko’s partner Kurakata, who had spent time in Osaka for work, came back to Tokyo with a twenty-one-year-old girlfriend, who lived with the family for two years. [Refreshingly, almost the only traces of Kurakata online now are in service to articles about Yoshiko. So there.]

Yoshiko died in 1927 at the age of forty, leaving a thirteen-year-old daughter, Minami, and about six thousand poems. Minami was later instrumental in having her mother’s writing published and memorialized.

Sources
Mori 2008
https://www.poetryfoundation.org/poetrymagazine/poems/157734/three-tanka (English) Poems by Yoshiko, translated by James Garza

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Matsui Sumako (1886-1919)

Fri, 07 Nov 2025 07:05:30 GMT

Posted by: nnozomi

Matsui Sumako was born in 1886 in a Nagano farming village, the youngest of nine children; her birth name was the relentlessly ordinary Kobayashi Masako. In 1902 she followed an older sister to Tokyo, where she married Torigai Manzo, an innkeeper in Chiba, but the marriage ended after a matter of months, to be followed in 1908 by another one with Maezawa Seisuke, a Nagano landsman (whom she met while being treated for the venereal disease received from Torigai). Although their marriage did not last any longer than her first, Maezawa’s job teaching history at at the Tokyo Actors’ School was a catalyst for Masako’s interest in theater.

The Actors’ School originally turned down her application because of her flat nose, but in 1909 (after plastic surgery on her nose, a rarity at the time) she entered the playwright Tsubouchi Shoyo’s Theater Research Institute as one of its first students, taking the stage name of Matsui Sumako. Along with his colleague, a college professor called Shimamura Hogetsu, Shoyo led the emerging modern theater movement and trained his students severely. Sumako, whose education had not gone beyond junior high school, struggled when told to read Hamlet in the original for class; she scribbled Japanese transliterations into her playscript and managed to pull it off somehow. Shoyo’s adopted daughter Iizuka Kuni remembered Sumako bent over her script, nibbling on a red bean pastry in place of lunch.

Her hard work paid off in 1911 at the group’s first performance, when she was chosen to play Ophelia. Tall for a Japanese woman of the time, with a distinctive voice and a bold acting style, she immediately drew attention. That autumn she played Nora in A Doll’s House, under Hogetsu’s direction, to rave reviews (Bluestocking magazine put out a special “Nora Edition” discussing the New Woman issue). Sumako and Hogetsu had already become lovers by this time, although he was married. Their affair drew public criticism and eventually drove Sumako out of the theater group, which itself dissolved in 1913 (her position was not helped by a reputation for arrogance and high drama offstage).

Sumako and Hogetsu, who had abandoned both his teaching job and his wife, founded the Geijutsuza troupe the same year. In 1914 they opened their season with Tolstoy’s Resurrection at the Imperial Theater, translated and directed by Hogetsu and starring Sumako as Katyusha; her plaintive Katyusha’s Song [YouTube link, thought to have been recorded around 1915] became a huge pop hit, selling twenty thousand records, and thanks to her hairstyle, Alice bands are still called katyushas in Japan to this day. Other equally successful performances followed, including Salome, Monna Vanna, The Living Corpse, Oedipus, and Man of Destiny, as well as less well known plays by Japanese playwrights, and various hit records (including “In My Next Life,” with lyrics by the poet Kitahara Hakushu, which was considered obscene and became Japan’s first banned record).

In November 1918, Hogetsu died of the Spanish flu: Sumako lost not only her lover but also her main source of financial and career support. One year later to the day, after starring in a performance of Carmen, she hanged herself in the theater prop room, to be found the next morning perfectly dressed, coiffed and made up. She left a note asking to be buried in the same grave as Hogetsu, which was not done in order to spare his family’s feelings. After her death, she became the subject of numerous novels, movies, and later TV dramas.

The radio here plays an opera every Friday afternoon, and it seems uniquely appropriate that today’s performance was Carmen.

Sources
Nakae
Mori 1996
https://www.sumakomatsui.or.jp/dictionary/index.html (Japanese) Includes photos of various relevant people and places

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